MI PEQUEÑA MUÑECA VUDU

MI PEQUEÑA MUÑECA VUDU
ACRILICO Y BORDADO SOBRE LIENZO - 0.25 X 0.25 MTS. 2009
Mar del Plata, Buenos Aires, Argentina
2009 - MIRADAS SOBRE EVA. Canal 7. Ciudad de Buenos Aires. GALERIA MARCA DE AGUA . Mar del Plata. 2008 - 2° BIENAL PREMIO FEDERAL. Ciudad de Buenos Aires. EVITA A TRAVES DE TUS OJOS. Museo Provincial de Bellas Artes Juan Yaparí. Posadas. 2007 - PREMIO ALFONSINA 2007 a la trayectoria. Otorgado por la Secretaria de Cultura de la ciudad de Mar del Plata. 18 MIRADAS SOBRE EVA. Museo Eva Peron. Capital Federal. PREMIO AAGA. Fundación Klemm. Capital Federal. 3° Mención 1° BIENAL PREMIO FEDERAL. Capital Federal. PROYECTO PATAGONIA.1° BIENAL DE ARTE DEL FIN DEL MUNDO. Usuahia. 2006 - SALON DE LA PLASTICA MEXICANA / México DF. Seleccionada 1° Muestra de Arte Urbana a Cielo Abierto: CORAZONES VIVOS. 1° SALON NACIONAL DE PERGAMINO. Pcia. Sta. Fe. 2° Mención SALON MUNICIPAL DE DIBUJO / Museo Castagnino. Mar del Plata. 2005 - ADN CULTURAL / Centro Cultural Recoleta – Capital Federal. 2004 - BARROCO MARAVILLOSO / Muestra individual. Foyer Teatro AUDITÓRIUM. Mar del Plata. PRIMER PREMIO BIENAL NACIONAL DE PINTURA MARIQUITA SÁNCHEZ/ Fundación Avon. Ctro. Cultural Borges. Capital Federal. 2003 - PREMIO MENCION – XI SALON MARIQUITA SÁNCHEZ/Museo Félix Amador. Lujan.

MUESTRA GALERIA MARCA DE AGUA - MAR DEL PLATA, 03/10

Belleza o búsqueda de élla..., tema fundamental para el artista que intenta rescatarla de los asuntos sumergidos en la aceleración de lo vulgar, y que cada tanto, deslumbra con la presición de lo verdadero. Así entonces en las obras de Adriana Lasarte, entre lo cotidiano y pleno del imaginario popular, se perciben los destellos que hacen el transcurrir más felizmente sorpresivo.

Lasarte nos enfrenta con los visos exquisitos de lo bello y profundamente concebido, donde el tiempo se ha tomado su lugar para ofrecer una imagen deslumbrante, evocadora y fuertemente atractiva.

S. Carolina Bagnato


COCA EN EL JARDIN

COCA EN EL JARDIN
DETALLE

COCA EN EL JARDIN

COCA EN EL JARDIN
DETALLE
En las obras de Adriana Lasarte se puede observar un cruce de lenguajes, estilos, citas y motivos iconográficos. Se manifiesta en una primera lectura el Pop art con la presencia de personajes de la cultura de consumo, pero en la observación detenida surge la profusión de adornos del barroco y los tratamientos clásicos intencionalmente unidos para perturbar y subvertir la separación de géneros y estilos formando un nuevo orden en una pintura ecléctica. Estos personajes ubicados sobre fondos complejos serán plasmados de forma kitsch. Además de los materiales tradicionales, se ha utilizado pintura de relieve, glitter, purpurina y se han bordado piedras, canutillos y mostacillas que revelan una nueva belleza a lo culturalmente dado.

In Adriana Lasarte works it is posible to find a cross of lenguages, stiles, references and iconographic motifs. In a first reading, Pop Art appears trhough the presence of consuming culture characters but in a deeper look a profussion of barroque ornaments arise combined with classic treatments, all united in the intention to perturbate and subvertate the separation of genders and stiles creating a new order in an eclectic painting. These characters settled en complex backgrounds will be done in a kitsch way. Besides traditional materials it has been used embossment painting, glitter technics, purpurin as well as stones, bugles and beads wich have been enbroided giving a new beauty to the culturally given subject.

PAPER DOLL

"Los modelos para armar de Adriana Lasarte están trabajados desde la gracia. Y si bien el arte no tiene sexo, elige el arte de género. Así, la estrategia de sus paper dolls es una fluyente manera de recrear el hobby de los 40 y los 50, cuando la muñeca constituía una auténtica caracterización de vida social. Con acentos pop y alguna inflexión kitsch, Lasarte corta molde y pega canutillos, precisa bordados y aplica pintura sobre papel y relieves, con una naturalidad tan clara como si las mismas correspondieran a una femme-maison. Y por ahí, su paper doll puede llevar nombre y apellido. Y está muy cierto que tanto Isabel Sarli como Eva Perón tengan entrada en su maison de entretejidos sueños, donde la realidad es una ficción posible. Porque la estética es un pronunciamiento en el cual, por sobre las semiosis, importa que el artista no deje de inventar sus propios sueños."
J.M.Taverna Irigoyen
Miembro de Número de la Academia Nacional de Bellas Artes.

15 comentarios:

Lirio dijo...

Sinceramente hay mucho de tu obra que me gusta... creo que te tuve como profe en la Malharro el año pasado, en profesorado, puede ser? sólo que yo no me sentía nada bien y debí dejar. Encuentro mucha originalidad en tus trabajos, sobre todo en el uso de los materiales. Fue un placer recorrer tu blog.

jazmin dijo...

hola adriana. tus obras estar re GUAU! y sinseramente eh visto mucho... y es verdad!!!
sera xq vivo con vos?? ajaja
besoss
me encanta tu blog!

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